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Corvallis-OSU Symphony performs Shostakovich’s tenth symphony Nov. 24

For Immediate Release: November 5, 2019

Corvallis-OSU Symphony performs Shostakovich’s tenth symphony Nov. 24

By Zachary C. Person

CORVALLIS, Ore. – The Corvallis-OSU Symphony under the direction of Maestro Marlan Carlson performs works by Antonín Dvořák, Zoltán Kodály and Dmitri Shostakovich at 3:00 p.m. on Sunday, November 24 in the Austin Auditorium at The LaSells Stewart Center, 875 SW 26th St., Corvallis. 

Antonín Dvořák’s “Carnival Overture” Op. 92 opens the program. The rousing nine-minute work from 1891 forms the second in Dvořák’s trilogy of concert overtures inspired by the composer’s impressions of life, love and nature which embody the human experience. 

Zoltán Kodály’s "Dance of Galanta," a four-part whirlwind of folk melodies and gypsy tunes, follows. Like his contemporary Béla Bartók, Kodály spent his lifetime collecting folk music melodies in the remote areas of Hungary, Transylvania and other areas of Eastern Europe. "This passion for the unblemished and authentic musical expressions of mostly illiterate people with no formal musical education eventually manifested itself in many of their compositions," says Maestro Carlson. "And like the food of this area, the music of these composers is both exhilarating and sensorially intoxicating." 

The Tenth Symphony in E minor, Op. 93 by Dmitri Shostakovich closes the program. Shostakovich began composing the four-movement symphony shortly after the death of Josef Stalin in 1953, and the symphony forms a musical portrait of both Stalin as a person and Shostakovich’s experience of living under the Stalinist regime. 

The symphony was premiered in 1953 by the Leningrad Philharmonic under the direction of Yevgeny Mravinsky to huge success, though the overall pessimistic tone of the work quickly attracted public scrutiny from the Soviet Composer’s Union as being an "optimistic tragedy” and “non-realistic.” Despite the criticism, Shostakovich, who was well accustomed to politically motivated ridicule of his works - and very adept at publicly apologizing for their content - did not offer to rewrite the symphony. His Op. 93 stands today as a mid-century masterwork and an astute if somewhat less than overt political statement summing up in a mere 53 minutes Shostakovich’s experiences during decades of Stalinism.

Tickets are $22 to $32 in advance or $25 to $35 at the door. Tickets are available online at www.cosusymphony.org. Up to three K-8 students accompanied by a ticketed adult, and all high school and college students with ID, may be given free general admission tickets at the door starting one hour prior to the concert, subject to availability.

Corvallis Arts for All discounts apply with a valid SNAP card and are available one hour prior to performance. For accommodations relating to a disability please call 541-286-5580, preferably one week in advance.

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About the OSU College of Liberal Arts: The College of Liberal Arts includes the fine and performing arts, humanities and social sciences, making it one of the largest and most diverse colleges at OSU. The college’s research and instructional faculty members contribute to the education of all university students and provide national and international leadership, creativity and scholarship in their academic disciplines.

On-campus TV and radio studios: Oregon State University is equipped with on-campus television and radio studios that can be used by journalists. Live or live-to-tape broadcast television studio interviews can be conducted using Vyvx. Oregon State staff can also gather b-roll and coordinate live-to-tape interviews on locations throughout campus. For radio, Oregon State’s ISDN phone line provides a broadcast-quality audio feed.

Corvallis-OSU Piano International presents “Noche de  Alma Latinoamericana” Oct. 20 

FOR IMMEDIATE RELEASE: October 3, 2019

Corvallis-OSU Piano International presents “Noche de  Alma Latinoamericana” Oct. 20 

By Zachary C. Person

CORVALLIS, Ore. – Corvallis-OSU Piano International presents the third annual “Noche de Alma Latinoamericana” on Sunday, October 19 from 2:00 – 5:30 p.m. at The LaSells Stewart Center, 875 SW 26th St., Corvallis. 

The free, family-friendly event is dedicated to bringing together classical and folk traditions of Latin America. This year’s theme is “Dia de los Muertos” (Day of the Dead), and attendees are invited and encourage to dress in traditional clothing.

Pianists William Villaverde and Fabiana Claure are the featured performers. The husband-wife duo, who are from Cuba and Bolivia respectively, present “A Piano Journey Through Latin America” featuring works such as Bolivian “Cuecas”, Brazilian tangos, classical and jazz-inspired Cuban music, and a four-hand piano arrangement of Astor Piazzolla’s “Tango Suite.”

Local youth musicians Amaia Arismendi (piano), Isaac Heredia (piano), Kai Frueh (piano), Ben Frueh (violin), Elsa Moreno (voice) and Jesus Moreno (guitar) will also present a performance during the festival.

The complete festival schedule of events includes:

·       2:00-5:00 p.m. – Corvallis Arts Center Activities (Dia de los Muertos) (Giustina Gallery)

·       2:00-2:30 p.m. – Dancing Workshop (Giustina Gallery)

·       2:30-3:15 p.m. – Local young musicians perform (Austin Auditorium)

·       4:00-5:00 p.m. – Claure and Villaverde piano duo performs (Austin Auditorium)

·       5:00-5:30 p.m. – Pan dulce and champurrado refreshments (Giustina Gallery) 

“Noche de Latinoamericana” is free and open to the public. No tickets are required. To request accommodations relating to a disability please call (541) 758-0036, preferably at least one week in advance.

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About Corvallis-OSU Piano International: Corvallis-OSU Piano International furthers the appreciation and celebration of piano music and performance in our community by providing high-quality performances, outreach opportunities and educational programs. COPI presents the Steinway Piano Series, an annual concert series featuring world-class performers. Children’s concerts, master classes, lectures and a jazz series also serve as part of a mission to bring people together in a culture of piano through performance, education and advocacy.

Corvallis-OSU Symphony Society hosts Portland Youth Philharmonic Oct. 27

Corvallis-OSU Symphony Society hosts Portland Youth Philharmonic Oct. 27

Story by: Zachary Person
Source: Josh Espinoza

CORVALIS, Ore. – The Portland Youth Philharmonic hosted by the Corvallis-OSU Symphony Society performs at 3:00 p.m., Sunday, October 27 in the Austin Auditorium at The LaSells Stewart Center, 875 SW 26th Street. 

Portland Youth Philharmonic music director David Hattner leads the orchestra in three works: George Gershwin’s jazz-inspired Piano Concerto in F (1925) featuring 14-year-old Joshua Ji, winter of the 2019 Portland Piano International / SOLO Piano Competition; Amy Beach’s “Gaelic Symphony” (1894); and “Batuque” (1941) by Brazilian composer Oscar Lorenzo Fernández.

Following the immense success of his “Rhapsody in Blue” in 1924, George Gershwin (1898-1937) received a commission from Walter Damrosch and the New York Symphony that resulted in his popular three movement piano concerto. Unlike any composer before or since, Gershwin transcended the boundaries between jazz and classical music with his catalog of jazzy, blues-inflected works.

The “Gaelic Symphony” by Amy Beach (1867-1944) was the first symphony composed and published by an American woman. Despite her lack of European musical training, Beach was a highly regarded composer during the late-19thand early-20th centuries. In addition to her well-known compositions, Beach was an acclaimed piano soloist (frequently performing her own music) and also served as president of the board at the prestigious New England Conservatory of Music.

Brazilian composer Oscar Lorenzo Fernández (1897-1948) was primarily known for his three-act opera “Malazarte.” “Batuque,” the third movement from a popular suite for orchestra extracted from the opera, is based on an Afro-Brazilian folk dance brilliantly adapted for symphony orchestra.

Tickets $5, all seating general admission. Advance tickets available at cosusymphony.org or at the box office beginning one hour prior to the performance. Accommodations relating to a disability may be made by calling 541-286-5580, preferably at least one week in advance.

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About the OSU College of Liberal Arts: The College of Liberal Arts includes fine and performing arts, humanities and social sciences, making it one of the largest and most diverse colleges at OSU. The college’s research and instructional faculty members contribute to the education of all university students and provide national and international leadership, creativity and scholarship in their academic disciplines.

Corvallis-OSU Symphony performs Stravinsky’s Rite of Spring Feb. 24

FOR IMMEDIATE RELEASE: 7 February 2019

Corvallis-OSU Symphony performs Stravinsky’s Rite of Spring Feb. 24

By Zachary C. Person, 541-737-4671, zachary.person@oregonstate.edu

CORVALLIS, Ore. – The Corvallis-OSU Symphony Orchestra under the baton of Maestro Marlan Carlson presents “Stars of the Orchestra” at 3:00 p.m. Sunday, February 24 in the Austin Auditorium at The LaSells Stewart Center, 875 SW 26th Street, Corvallis.

Student soloists from OSU who were selected at a competitive audition in October, 2018 are featured in in the opening half:

·       Hailey Cervantes: “Con Forza” from Concerto for Percussion by Joseph Schwantner

·       Christopher Yoon: “Adagio-Moderato” from Concerto for Cello by Edward Elgar

·       Adrian Galash and Ralph Musni: “Allegro” from Concerto for Two Clarinets by Franz Krommer

·       Bettine Rehr-Zimmerman: Selections from “Carmen Fantasy” for violin and orchestra by Pablo de Sarasate

·       Eric Russell: “Allegro” from Concerto for Horn by Gordon Jacob

·       Andrew Yoon: “Rhapsody in Blue” for piano by George Gershwin

Oboists Robert KollStephanie Brannan and Janie Anderson, and horn players Eric Russell and Luke Schroeder will also be featured in the first movement of J.S. Bach’s “Brandenburg Concerto No. 1,” conducted by OSU music education student Rolly Toribio.

Igor Stravinsky’s landmark “Rite of Spring” is the major work on the program. The ballet score induced a riot at its inaugural performance at Paris’s Théâtre des Champs-Élysées in 1913, shocking the audience with a highly complex rhythmic scheme and an audacious approach to tonality. The entire ensemble is showcased in the “Rite of Spring” through Stravinsky’s virtuosic solo writing, brilliant passagework and genius command of orchestration and thematic development. 

In the words of Maestro Marlan Carlson, “this is a concert I’ve been dreaming about for years - a concert featuring many of our outstanding student instrumentalists as soloists combined with the 20th century’s all-time star composition for orchestra, the ‘Rite of Spring’ by Igor Stravinsky. No other work composed in the last 120 years can touch the Rite of Spring (1913) in terms of its creative brilliance and its impact on the course of music history. I’ve known this piece for many decades, performed it many times, and in fact had the opportunity to play it as acting principal viola in the London Symphony Orchestra under the baton of Leonard Bernstein.”   

Reserved seating $22, $27, $32. Advance tickets available online at www.cosusymphony.org. Up to three K-8 students accompanied by a ticketed adult, and all high school and college students with ID, may be given free general admission tickets at the door starting one hour prior to the concert, subject to availability. CAFA discounts apply with valid SNAP card, available one hour prior to performance at the LaSells Stewart Center. For accommodations relating to a disability please call 541-286-5580, preferably one week in advance.

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About the OSU College of Liberal Arts: The College of Liberal Arts includes fine and performing arts, humanities and social sciences, making it one of the largest and most diverse colleges at OSU. The college’s research and instructional faculty members contribute to the education of all university students and provide national and international leadership, creativity and scholarship in their academic disciplines.

OSU Wind Ensemble evokes icons Jan. 29 at Stewart Center

FOR IMMEDIATE RELEASE                                 

OSU Wind Ensemble evokes icons Jan. 29 at Stewart Center

By Zachary C. Person

CORVALLIS, Ore. – The Oregon State University Wind Ensemble under the direction of Dr. Chris Chapman presents “Three American Icons” at 7:30 p.m. on Tuesday, January 29 in the Austin Auditorium at The LaSells Stewart Center, 875 SW 26th Street, Corvallis. 

Works exploring real and imagined icons comprise the program. Joseph Turrin’s “The Scarecrow Overture” from his opera of the same name opens the program. The 2010 work is based on the Nathaniel Hawthorne short story “Feathertop” about a witch who brings a scarecrow to life. After conjuring mayhem and trouble, the witch is surprised to discover the power of love and a true heart. 

 “Three American Icons” by English composer Judith Bingham closes the first half. The work departs from traditional icons of Americana, instead evoking three scenes set against the background of the 1963 assassination of President John F. Kenned. The mid-century icons Lee Harvey Oswald, Marilyn Monroe and the infamous grassy knoll in Dallas, Texas are depicted in a quirky French Suite-style tableau of 1950’s and 60’s big band music, cult television and cultural change.

Percy Grainger’s 1937 masterpiece “Lincolnshire Posy” opens the second half of the concert. The six movement of Grainger’s “bunch of wildflowers” are all based on folk songs collected during an excursion to Lincolnshire, England in 1905-1906. Grainger resisted the whims of his contemporaries and did not attempt to modernize the folk songs. Rather, he presented them simply as the singers themselves presented them to him. Irregular rhythms, a rough-hewn folk style and brilliant, colorful orchestration abound in the true masterpiece of the wind band literature. 

“Rumpelstilschzen”  by Jess Turner, closes the program. Over its 19 minutes, Turner sweeps the audience into a land of make believe in three movements each depicting a pivotal part of the fairy tale store: “Spinning Straw into Gold”; “Night (The Maiden’s Lament)”; and “Rumpelstilczhen’s Furiant (Moto Perpetuo).” 

General admission tickets $5 advance, $10 door. OSU students with ID and K-12 youth admitted free. Advance tickets available online at: liberalarts.oregonstate.edu/SACevents. For accommodations relating to a disability, please call 541-737-4671 at least one week in advance.

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About the OSU College of Liberal Arts: The College of Liberal Arts includes fine and performing arts, humanities and social sciences, making it one of the largest and most diverse colleges at OSU. The college’s research and instructional faculty members contribute to the education of all university students and provide national and international leadership, creativity and scholarship in their academic disciplines.

Corvallis-OSU Symphony, violin soloist Jessica Lambert celebrate Bernstein Centenary Nov. 18

FOR IMMEDIATE RELEASE: 2 November 2018

Corvallis-OSU Symphony, violin soloist Jessica Lambert celebrate Bernstein Centenary Nov. 18

By Zachary C. Person

CORVALLIS, Ore. – The Corvallis-OSU Symphony Orchestra under the baton of Maestro Marlan Carlson presents its season opening concert “Bernstein 100” at 3:00 p.m. Sunday, November 18.

The concert will be held in the Austin Auditorium at The LaSells Stewart Center, 875 SW 26th Street, Corvallis. 

Arthur Honegger’s programmatic “Pacific 231” (1923) opens the program. The widely performed work vividly evokes a steam locomotive gathering terrifying speed and wildly racing down the tracks before the relentless machine finally grinds to a noisy, exhausted halt.  

Violinist Jessica Lambert, concertmaster of orchestra since 2007, joins as soloist for Leonard Bernstein’s infrequently performed “Serenade (after Plato’s Symposium).” While not strictly programmatic, the 1954 composition is based on Bernstein’s interpretation of Plato’s famed dialogue “The Symposium.” Bernstein explained that “the music, like the dialogue, is a series of related statements in praise of love, and generally follows the Platonic form through the succession of speakers at the banquet.” Each of the five movements draws its focus from characters in the dialogue: I. Phaedrus; Pausanias; II. Aristophanes; III. Eryximachus; IV. Agathon; V. Socrates.

Lambert is a graduate of the Eastman School of Music where she studied with Zvi Zeitlin and members of the Cleveland String Quartet. She is artistic director of the Oregon State University Chamber Music Workshop and maintains a large private studio in Corvallis. Previous professional engagements include the Oregon Symphony Orchestra, the El Paso Symphony and the El Paso Pro Musica.

Carl Nielsen’s Fifth Symphony, Op. 50 (1922) comprises the entire second half of the program. Unusually, the symphony eschews the traditional symphonic form and is written in only two lengthy and highly contrasting movements. The inclusion of Nielsen’s work celebrates Leonard Bernstein’s conducting legacy and influence on modern concert programming. Bernstein was long a champion of works by Carl Nielsen, Jean Sibelius and other (at the time) ‘neglected’ composers including Gustav Mahler, and his profound impact as an interpreter and conductor of works by lesser-known composers forms one of the most important and lasting parts of his tremendous legacy. 

The Corvallis-OSU Symphony will continue its exploration of Leonard Bernstein’s legacy throughout the remainder of the 2018-2019 season. On November 30, the orchestra will be joined by the OSU Chamber Choir for a performance of Bernstein’s charming “Chichester Psalms.” In February, Maestro Carlson will lead the ensemble in a performance of Igor Stravinsky’s savage “Rite of Spring” and in May, the orchestra will perform Gustav Mahler’s heart wrenching ninth and final symphony. The Stravinsky and Mahler works were at the core of Bernstein’s conducting repertoire and his interpretation and approach of both masterpieces have long stood the test of time.

Reserved seating $22, $27, $32. Advance tickets available online at www.cosusymphony.org. Up to three K-8 students accompanied by a ticketed adult, and all high school and college students with ID, may be given free general admission tickets at the door starting one hour prior to the concert, subject to availability. CAFA discounts apply with valid SNAP card, available one hour prior to performance at the LaSells Stewart Center. For accommodations relating to a disability please call 541-286-5580, preferably one week in advance.

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About the OSU College of Liberal Arts: The College of Liberal Arts includes fine and performing arts, humanities and social sciences, making it one of the largest and most diverse colleges at OSU. The college’s research and instructional faculty members contribute to the education of all university students and provide national and international leadership, creativity and scholarship in their academic disciplines.